John William Waterhouse Paintings

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The Charmer 1911

Date: 1911
Medium: Oil on canvas
Size:
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The Charmer is a masterpiece of painting, complete with a dramatic and charming female protagonist. This oil painting was completed by John William Waterhouse in 1911, and it perfectly captures the style of his later work. The artist spent several months studying the painting before he completed it, and there is no trace of copyright at all. Here are some interesting facts about The Charmer: It was the artist’s first major commission, and it’s one of his best paintings.

May 15, 2014
Spring Spreads One Green Lap of Flowers 1910

Date: 1910
Medium: Oil on canvas
Size: 41.7 x 30.3 in
Location:

“Spring Spreads One Green Lap of Flowers” is a masterpiece by John William Waterhouse. The title refers to the content of the painting, and the green color represents the season of Spring. In the UK, many flowers bloom in the spring. In similar climates, the arrival of spring signifies the end of the winter season and the return to life. The artist was inspired by this beautiful season, which was also the source of inspiration for many of his contemporaries. Alphonse Mucha was known to use the subject of spring as his inspiration for his Seasons series.

The subject of the painting is a female figure on all fours in an open garden or forest. She is collecting flowers and placing them into a basket. The woman wears delicate clothing and possesses a slender frame, which contrasts with the delicate appearance of her skin. The background is a typical English landscape. The women appear to be posing in a traditional way.

The woman is on her hands and knees in an open forest or garden collecting wild flowers and placing them in a basket. She is wearing delicate clothing and a thin frame. The scene is filled with lush, shady vegetation. She is surrounded by a garden and is seated on a rock. The artist’s composition and colour palette are both abstract, and the composition is more sculptural than realistic.

Although this painting depicts an idyllic scene, its underlying narrative does not tell a story. Instead, Waterhouse’s painting has become an independent image. The narrative and mood of the painting have dissolved into the background, and the image is free of any story-telling intent. The composition and colours are as abstract as possible, and the painting has become a self-contained piece.

May 15, 2014
Ophelia 1910

The oil painting Ophelia 1910 by John William Waterhouse depicts a young woman in a red and blue dress, adorned with flowers. She is the most striking character in the painting, and takes up much of the pictorial space. The young woman is dressed as a mature woman, with her long red hair flowing freely around her shoulders. Her hand rests on a tree. The viewer is unable to help but admire the beauty and poise of the girl.

Waterhouse dedicates three paintings to Ophelia, the first in 1889 and the second in 1910, all depicting the tragic final moments. The two main paintings show Ophelia, the young woman, lying in a field, and the older woman sitting near a body of water. The mature woman looks directly at the viewer, seemingly questioning her choice. The narrator reveals that there is no reason to be mad or confused.

The second Ophelia is a much more concerned expression than the earlier version. She leans against a tree, holding a bunch of wildflowers. In the distance, a wooden pier stands, and a couple peer back at her with curiosity. Although the two paintings differ in style, both depict the same subject. The beauty of both works is evident in their respective styles.

The other image is of Ophelia. In the first painting, the young girl is swaying on a tree, with flowers in her hand. She holds a bunch of flowers as she tries to make sense of what is happening to her. The white roses by the shore of the river are a symbol of purity and detachment from the world. However, the roses represent the emptiness she feels and the regret she has felt about her decision.

The third painting shows Ophelia in a river. The brook is painted in blue tones, while a tree has its branches over her head. A wooden pier is visible in the distance. As a result of the pier’s position in the river, Ophelia is drowning. The couple is unable to save her, but the brook and the couple are left to wonder how she survived. This scene is a classic example of the Shakespearean tragedy, which is the most famous and popular.

May 15, 2014
Thisbe 1909

Date: 1909
Medium: Oil on canvas
Size: 97 x 60 cm
Location:

Waterhouse’s Thisbe was the first of her female tree paintings to be exhibited publicly. It was a response to male gazes and was first exhibited in spring 1909. It was a huge success, and Rose Sketchley, a leading art critic, wrote the most insightful analysis of Waterhouse’s paintings in The Art Journal’s Christmas issue. Thisbe is the result of Waterhouse’s collaboration with her friend and former student, Edward Baxter.

Waterhouse’s choice of colors was a result of his passion for female artistry. The embroidery on Thisbe’s gown was based on the ancient Greek goddess Persephone. In addition to this, Waterhouse was inspired by mythology, and he incorporated elements of that culture into his paintings. The color scheme of Thisbe’s dress is a mash-up of Egyptian, Arabic, Persian, and Islamic influences.

The colors in Waterhouse’s painting of Thisbe are from her favorite lakes. The gown draws the eye upward to Thisbe’s face, which is framed by a triangle of her arm and head. As the viewer watches, the triangle’s refractions pick up the colors in the dress and she becomes increasingly alluring and alarming. The painting shows a range of emotions, from jealousy and fear to joy and satisfaction.

In her luminous, dreamlike face, Thisbe draws the viewer’s attention to the garden beyond. The woman’s dress, meanwhile, has an exquisite symmetry that echoes her torso. Unlike other women, she is unrecognizable, but her discoloration suggests her identity as a model. Thisbe’s lone figure is so well-grounded that she’s almost lost herself.

Although this painting is an interpretation of the ancient myth, the exact model of Thisbe’s dress is unknown. Thisbe’s model appears in Penelope and the Suitors (1893) and Ophelia, but she is never identified. The discoloration of her dress is a symbol of her femininity. The woman is listening to Pyramus through the crack in the wall. She is holding a needle and is weaving a cloth.

Despite the sombre mood of the book, the story of Thisbe is also a witty one. It is based on the story of Ovid’s Metamorphoses, which was first written in the late 1300s. The novel, “Thisbe” is a literary adaptation of the myth of Ovid’s tale of The Beloved. It is a classic example of modern love.

May 15, 2014
Gather Ye Rosebuds While Ye May 1909

Date: 1909
Medium: Oil on canvas
Size: 100 x 83 cm
Location:

John William Waterhouse painted Gather ye Rosebuds While Ye May in 1909, which was inspired by the poem of the same name by Robert Herrick. The title is also the name of the painting, and it begins with the first phrase of the poem. From there, the lines talk about the flower and the passage of time. The final lines describe the end of the poet’s life. It was a work of art that received many accolades.

“Gather ye Rosebuds While ye May” is a beautiful painting of a garden. The ethereal beauty of the flowers, which are arranged against the warm, green ground and a sunny sky, will seduce the viewer into contemplating their ephemeral nature. This beautiful work is Waterhouse’s second major oil painting and has garnered a wide appreciation among artists.

This painting was created by English artist John William Waterhouse, and was commissioned by a wealthy Canadian family. The painting’s value is estimated at $2.5 million. No one knows how it ended up in the farmhouse of a Canadian couple. However, the framer’s label on the painting indicates that it was bought in Canada in 1959, which is interesting because the piece has a gold top.

May 15, 2014
The Soul of the Rose or My Sweet Rose 1908

Date: 1908
Medium: Oil on canvas
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The Soul of the Flower is a 1909 painting by Waterhouse depicting a young woman, a character loosely based on the Arthurian legend of Merlin. Although it is difficult to determine who the woman is in the painting, critics have noted that her hair and complexion are akin to that of a redhead. In the poem Maud, Tennyson identifies the young woman as “Miss Muriel Foster.” The portraits are often over-complicated and dated, and there is little reason to doubt that the author intended to create a work that was of a timeless nature.

Waterhouse’s interpretation of the rose

In his 1889 oil painting, Waterhouse personified the rose, connecting it to the ideals of his time. Waterhouse’s interpretation is ambiguous, but it does not contradict the underlying medievalism of the painting. The woman leans forward to smell the rose, her gaze half-closed, implying her longing for someone who has passed. Waterhouse enacted the ideals of his time by portraying a woman who feels a sense of loss and longing for the past.

Waterhouse’s romantic vision

John William Waterhouse painted ‘The Soul of a Rose’ in 1908, and several works similar to it depict women and roses. Waterhouse was a Romantic painter who favored natural settings and strong female figures. His work was popular with patrons, and he painted scenes of myths and classical subjects, while also mixing Romantic and Neoclassical themes. Today, the art of John William Waterhouse is popular with collectors and is still in high demand.

Waterhouse’s female figure

The Female Figure in The Soul of the Rose is a study in the arcadian imagery of the early twentieth century. Waterhouse primarily painted young women with dark hair in these paintings. The female figures in the works were rarely identified, although critics have commented on their life and vitality. Waterhouse used models to depict their positions and shapes. This painting is not only a study in arcadian imagery, but it also serves as an important example of the artist’s talent as a portraitist.

May 15, 2014
Gather Ye Rosebuds While Ye May… 1908

Date: 1908
Medium: Oil on canvas
Size: 24.3 x 18.0 in
Location:

May 15, 2014
Gather Ye Rosebuds or Ophelia (a study) circa 1908

Date: circa 1908
Medium: Oil on canvas
Size: 79 x 57 cm
Location:

May 15, 2014
The Bouquet (a study) 1908

Date: circa 1908
Medium: Oil on canvas
Size: 57 x 39.5 cm
Location: Falmouth Art Gallery, Falmouth, Cornwall, UK

The Bouquet is one of Waterhouse’s most famous paintings, and it is often the most sought-after one. He is known for his association of women and flowers. The artist thought of women as carriers of seeds, and his images of women with flowers reflect this vision. A biography by Peter Trippi highlights his passion for painting and the connection between women and flowers. The title of his work “The Blossom and the Bouquet” was inspired by his experience of the flowering season.

May 15, 2014
Jason and Medea 1907

Date: 1907
Medium: Oil on canvas
Size: 134 x 107 cm
Location:

Waterhouse’s oil painting Jason and Medea is a classic example of his work. This depiction of the Colchian princess Medea preparing a magic potion is a great example of his use of Greek literature. The facial expressions of the two figures match those found in Greek literature. This painting shares similarities with the famous Magic Circle by John William Waterhouse. In the painting, Medea is seen meditating and contemplating a magic potion while Jason waits patiently for his potion.

This story is a classic story of love and betrayal. Jason was the leader of the Argonauts, and Medea was his wife. Their love affair ended tragically, and the two met again. The young couple had two children together. Later, however, Jason betrayed her and left her in an attempt to get Glauce. The couple had many children together, but later divorced. During the second marriage, Medea killed the children. While Waterhouse portrayed the female character as an empowered woman, he did not have any children.

The characters in the play are both important to the story. The story revolves around a feisty woman who gives up her power to betray her husband. In the end, she also saves the lives of her children. The story shows a tragic love between these two characters. The lovable couple are both tragic in their own ways. Fortunately, Waterhouse’s work includes many notable figures from the ancient world.

May 15, 2014